INerasable

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    INerasable

    • Home
    • About
    • Shop INerasable
    • The INerasable
    • Contact
    • Merchandise
    • …  
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      Hazel Scott is INerasable

      The piano prodigy who turned classical rebellion into jazz resistance—and paid the price for playing too freely.

      IN Focus: Hazel Scott (June 11, 1920 – October 2, 1981)

      Hazel Scott was a musical genius, civil rights trailblazer, and unapologetic force of elegance and defiance. Born in Trinidad in 1920 and raised in Harlem, she was a piano prodigy by age 8—so gifted she earned a scholarship to Juilliard before she was even a teenager.

      By the 1940s, Hazel was headlining nightclubs, starring in films, and performing jazz renditions of Bach and Rachmaninoff with dazzling fluency. She refused to be boxed in—whether by genre, expectation, or the color line.

      She was also the first Black woman to host a nationally syndicated TV show, The Hazel Scott Show, in 1950. Her visibility was revolutionary—and dangerous.

      Hazel refused to play for segregated audiences during WWII USO tours. She walked off film sets when given demeaning roles. And in 1950, she testified before the House Un-American Activities Committee, defending her name and denouncing McCarthy-era fearmongering.

      Shortly after, her show was canceled. Her bookings vanished. She was blacklisted.

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      Honor the Legacy. Wear the Story. Grab the "Hazel Scott is INerasable" t-shirt from our Legacy Collection—honor history and celebrate resilience.

      Shop now.

      INerasable: Hazel Scott's Legacy

      She dared to be complex in a world that demanded simplicity—Black, female, and free. Hazel Scott is INerasable because she refused to separate her art from her dignity.

      She challenged both Jim Crow and Hollywood with grace, genius, and grit. She made Bach swing, put boogie into Brahms, and refused to shrink in front of power. Her very existence was protest in a tailored gown.

      The world tried to silence her brilliance—not because she lacked talent, but because she had too much of it, and insisted on using it her way.

      Hazel Scott wasn’t erased for being “radical.” She was erased for being uncompromisingly excellent in a world still afraid of what Black women can do when unchained.

      Art IN Context: Synchromism and the Sound of Color

      Hazel Scott is rendered in Synchromism, a movement that visualized music as color and rhythm. This style—abstract, harmonic, radiant—mirrors the way Hazel made sound visible through her performances.

      Synchromism is fitting because Hazel’s power was both musical and political—and this style lets her sing in color, even after the world tried to mute her.

      Resources – IN Depth

      Books & Articles

      • Hazel Scott: The Pioneering Journey of a Jazz Pianist, from Café Society to Hollywood to HUAC – Karen Chilton
        The definitive biography chronicling Scott’s rise as a musical prodigy, her role in desegregating Hollywood, and her blacklisting during the McCarthy era.
        ➤ https://www.press.uillinois.edu/books/?id=p073133
      • PBS – Hazel Scott: Breaking Barriers in Jazz and Film
        An overview of Scott’s career as a genre-defying artist and activist.
        ➤ https://www.pbs.org/wnet/americanmasters/hazel-scott-about-the-artist/729/
      • Smithsonian Magazine – Hazel Scott Was More Than a Jazz Legend
        A feature recognizing Scott's groundbreaking contributions to civil rights and her resistance to stereotypical roles in film.
        ➤ https://www.smithsonianmag.com/smithsonian-institution/hazel-scott-jazz-civil-rights-180975948/
      • National Museum of African American History and Culture – Digital Collection
        Brief biographical sketch and objects related to Scott’s life and influence.
        ➤ https://nmaahc.si.edu/explore/stories/hazel-scott

      Archives

      • National Museum of American History – Hazel Scott’s Piano and Legacy
        Archival profile featuring Hazel Scott’s instruments and performance memorabilia.
        ➤ https://americanhistory.si.edu/collections/search/object/nmah_1814244
      • Library of Congress – Performances and Sheet Music
        Access to Hazel Scott’s music and documentation of performances.
        ➤ https://www.loc.gov/item/jukebox-785403/
      • New York Public Library – Schomburg Center (Jazz Archives)
        Contains images, playbills, and newspaper clippings related to Scott’s Harlem performances and activism.
        ➤ https://www.nypl.org/research/collections/digital-collections/schomburg

      Multimedia

      • Hazel Scott: Jazz Star, Civil Rights Pioneer – [YouTube/Timeline World History Docs]
        Mini-documentary on her musical genius and activism.
        ➤ https://www.youtube.com/watch?v=2RXi8ybKe3w
      • Hazel Scott Plays Two Pianos – Iconic Scene from The Heat’s On (1943)
        A defining moment in Black musical cinema, showing her brilliance and artistry.
        ➤ https://www.youtube.com/watch?v=dzNNoBf1Wac
      • American Masters: The Blacklist and Hazel Scott – PBS Segment
        Details her refusal to perform for segregated audiences and her resistance during HUAC hearings.
        ➤ https://www.pbs.org/wnet/americanmasters/hazel-scott-about-the-artist/729/

      Exploring Art Styles (Synchromism)

      • The Art Story – Synchromism
        An introduction to the art style that pairs color and sound in abstraction—perfect for honoring Scott’s visual and musical legacy.
        ➤ https://www.theartstory.org/movement/synchromism/
      • Oxford Art Online – Synchromism Overview
        Scholarly deep dive into the artistic movement that inspired modernist painters and connects directly to musical rhythm and improvisation.
        ➤https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000081769

      She is IN tune. IN defiance. INerasable.

      Every name tells a story. Every shirt makes a stand.
      Click here to shop the full INerasable Legacy Collection.

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